Courses

ITAL B001 Beginning Italian I

Fall 2024

This course provides a solid introduction to the Italian language and culture. It is intended for students with no previous knowledge of Italian and aims at giving them a complete foundation in Italian grammar and pronunciation, with particular attention to listening, speaking, reading, and writing skills. Students refine communicative and cross-cultural comparison abilities by completing tasks such as role-plays, music projects, and creative compositions, in pairs and/or small groups, to stimulate dialogue and create a dynamic and vibrant learning environment. Classes are student-centered and designed to foster students' language skills, keeping in mind their different ways of learning. The course is based on five weekly 50-minute sessions: four sessions with the instructor and one with a TA, to work on written and oral assignments and hone language communicative skills. This course promotes diversity, equity, and inclusion by adopting a free, online, and open textbook specifically designed for Tri-Co students.

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ITAL B002 Beginning Italian II

Spring 2025

This course is the continuation of ITAL001 and is intended for students who started studying Italian the semester before. It aims at making students be able to: (1) speak and write in Italian at an elementary level; (2) effectively communicate with other Italian-speaking people by giving advice, expressing desires, and sharing their opinions; (3) produce authentic works in Italian such as audio messages, social media posts, songs, etc.; (4) understand and comment on aspects of Italian culture in the target language; (5) refine intercultural communication skills. Classes are student-centered and designed to foster students' language skills, keeping in mind their different ways of learning. The course is based on five weekly 50-minute sessions: four sessions with the instructor and one with a TA, to work on written and oral assignments and hone language communicative skills. This course promotes diversity, equity, and inclusion by adopting a free, online, and open textbook specifically designed for Tri-Co students. Prerequisite: ITAL B001 or placement.

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ITAL B101 Intermediate Italian through Culture I

Fall 2024

This course is the first half of a two-semester sequence and provides students with a broader basis for learning to communicate effectively, accurately, and comfortably in an Italian-speaking environment. This course builds on the students' existing skills in Italian, increases their confidence and their ability to read, write, speak, understand the language, and introduces them to more refined lexical terms, more complex grammatical structures, and more challenging cultural materials. While the principal aim of the course is to further develop language abilities, the course also imparts a foundation for the understanding of modern and contemporary Italy. Students will be exposed to newspaper and magazine articles, literary and cinematic texts, Italian songs and internet materials which will facilitate a transition towards content courses. By the end of the first semester, students will have gained an appreciation for many aspects of Italian culture in its broad spectrum and will be able to communicate orally and in writing about a wide variety of topics. Prerequisite: ITAL B002 or placement.

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ITAL B102 Intermediate Italian through Culture II

Spring 2025

This course is the second half of a two-semester sequence designed to help students attain a level of proficiency to communicate effectively and accurately in Italian. This course builds on the students' existing skills in Italian, increases their confidence and their ability to read, write, speak, and understand the language, and introduces them to more refined lexical terms, more complex grammatical structures, and more challenging cultural materials. While the principal aim of the course is to further develop language abilities, the course also imparts a foundation for the understanding of modern and contemporary Italy. Practice is given in all four skills (listening, speaking, reading, and writing), and students will conduct a collaborative reading of an Italian novel in order to analyze aspects of the Italian culture. By the end of this second semester, students will have reached full command of all the most advanced and sophisticated structures of the language, will have gained an appreciation for Italian culture, and will be able to communicate orally and in writing about a wide variety of topics. Prerequisite: ITAL B101 or placement.

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ITAL B200 Pathways to Proficiency

Not offered 2024-25

This is a language and culture course designed to offer advanced students of Italian the opportunity to strengthen their writing skills and conversational fluency. Throughout the semester, students will explore Italy's literature, cinema, history, and contemporary culture. Problems relating to syntax, morphology, and vocabulary will be addressed as they arise from compositions and selected reading passages. Grammar review will be contextualized to support the principal focus of the course, which is vocabulary building, written and oral skills straightening, and intercultural competency. This course is arranged thematically with units focused on issues such as LGBTQIA+ rights, changing standards of femininity and masculinity, race, migration, and disability. Each week students will explore the theme of the unit through different media: films, newspaper and magazine articles, novels, poems, songs, YouTube videos, blogs, etc. Prerequisite: ITAL102 or placement.

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ITAL B201 Problematiche di oggi: conversare insieme/Italy Today

Section 001 (Fall 2023): Which Italian are we speaking?
Section 001 (Spring 2024): Conversare insieme
Section 001 (Fall 2024): Italy Today: A Workshop

Fall 2024

Do patriarchal societies still exist today? Who are the neo-fascists? What does it mean to be a woman, an immigrant, or a queer person in the land of ultra-traditionalism, of the Pope, and the Camorra? Which Italian are we speaking in Italy? This course will explore these questions through a variety of materials in Italian: stories, TV shows, poems, newspaper articles, public art, essays, videos, and songs. We will deal with issues of identity, gender violence, historical memory, politics, and patriarchy. We will immerse ourselves in the culture of patriarchal contemporary Italy through key-themes: conversando insieme. Prerequisite: ITAL 102, or equivalent.

Writing Attentive

Critical Interpretation (CI)

Cross-Cultural Analysis (CC)

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ITAL B202 Racconti transnazionali a confronto: patriarcato, migrazione e transculturalità

Spring 2025

This course focusses on the development of the short story, and particularly on its changing form through the 19th, 20th and 21st centuries. Students will analyze Italian novellas through in-class discussions and take-home assignment. They will start by reading some short stories by Boccaccio's Decameron and will then focus closely on 19th century Rosso malpelo and L'amante di Gramigna by Giovanni Verga and on Terno secco by Matilde Serao. Moving towards 20th and 21st centuries, we will examine racism, immigration, and patriarchy in context with the reading of women writers such as Sibilla Aleramo, Elsa Morante, Natalia Ginzburg, Elena Ferranate, Jhumpa Lahiri, Anna Maria Ortese, Dacia Maraini, Donatella Di Pietrantonio. Our 21st-century examples will also include Roberto Saviano's Il contrario della morte and Valeria Parrella's Il premio. To stimulate classroom discussion and provide useful insight into the wide variety of Italy's socio-cultural specificities, the texts will be supplemented with selected background information including scholarly criticism, visual media, and media reception. The course is highly interactive and, at times, adopts the mode of a creative writing workshop. Students will thus be asked to comment their and other colleagues' work by discussing points of strength and weakness. This process will facilitate the preparation for and successful drafting of the papers. It will also encourage students to learn how to analyze and self-assess their own essays. The stories will be read in Italian. Prerequisite: ITAL 102 or permission of instructor.

Critical Interpretation (CI)

Cross-Cultural Analysis (CC)

Power, Inequity, and Justice (PIJ)

Counts Toward Gender Sexuality Studies

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ITAL B207 From Hell to Heaven: Dante's Divine Comedy

Not offered 2024-25

This course offers the opportunity to read in its entirety Dante's Divine Comedy, one of the greatest masterpieces of world literatures, as well as some other Dantean works like La Vita Nuova and Il Convivio. We will follow Dante on his journey through the three realms of his vision of the afterlife: the descent into Hell, the climb up the mountain of Purgatory, and the final ascent to Paradise. Dante's masterpiece lends itself to study from various perspectives: literary, allegorical, cultural, historical, political, philosophical, and theological. Some of the themes that will frame our discussions are personal journey and civic responsibilities, human passions and gender, governmental accountability and church-state relations. The course is taught in English and is accessible also to students without a background in Medieval literature and with no knowledge of Italian. Students who are interested to take this course towards a minor or a major in Italian will complete their assignments in the target language, having this class count as a 200-level course in Italian.

Inquiry into the Past (IP)

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ITAL B209 Love, Magic, and Women Warriors: Renaissance Italian Epic

Not offered 2024-25

This course offers an overview of one of the great literary traditions of Renaissance Italy: that of chivalric poems narrating tales of war, love, and magic. Our readings will center on the two established masterpieces of the tradition, Ludovico Ariosto's romance Orlando furioso (The Madness of Orlando; 1532) and Torquato Tasso's epic Gerusalemme liberata (Jerusalem Delivered; 1581), but we will also look at a series of much lesser-known works by a queer and "irregular" author (Luigi Pulci), who inaugurated this genre in Florence, and by female poets of the later sixteenth and early seventeenth centuries (Moderata Fonte and Margherita Sarrocchi), who draw on Ariosto's and Tasso's texts for inspiration. Thematically, the course will focus on questions of diversity in political and religious ideologies, differing treatments of love and conceptions of the heroic, and the representation of sexuality and gender, which is exceptionally fluid and interesting in these works. The course is taught in English and is accessible also to students without a background in Renaissance literature and with no knowledge of Italian. Students who are interested to take this course towards a major in Italian will complete their assignments in Italian and will participate in an extra hour in Italian

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ITAL B213 Theory in Practice: Critical Discourses in the Humanities

Not offered 2024-25

What is a postcolonial subject, a queer gaze, a feminist manifesto? And how can we use (as readers of texts, art, and films) contemporary studies on animals and cyborgs, object oriented ontology, zombies, storyworlds, neuroaesthetics? In this course we will read some pivotal theoretical texts from different fields, with a focus on race&ethnicity and gender&sexuality. Each theory will be paired with a masterpiece from Italian culture (from Renaissance treatises and paintings to stories written under fascism and postwar movies). We will discuss how to apply theory to the practice of interpretation and of academic writing, and how theoretical ideas shaped what we are reading. Class conducted in English, with an additional hour in Italian for students seeking Italian credit.

Critical Interpretation (CI)

Counts Toward Africana Studies

Counts Toward Gender Sexuality Studies

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ITAL B216 Body and Mind

Not offered 2024-25

In this course, we will explore representations of the relationship between body and mind, starting from 19th-century Russian novels that conceptualize love as a physical ailment and ending with the history of Alzheimer's disease. Talking about the relationship between body and mind will allow us to investigate how gender roles and models of womanhood and masculinity shaped the evolution of modern sciences, from psychiatry to obstetrics. Investigating how bodies have been (and continue to be) read, we will discuss systems created to police societies by cataloguing bodies, from Lombroso's phrenology to modern fingerprinting and face recognition softwares. Finally, we will consider how our understanding of the relationship between body and mind has changed over time. Many of the theories we will discuss during the semester are now considered outdated pseudo-science - but how can we conceptualize the difference between science and pseudo-science? As new categories and disease designations appear to substitute the old ones, which are the implications of creating a label for a constellation of existing symptoms? The course will be taught entirely in English. There will be an optional hour in Italian for students of Italian.

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ITAL B218 Early-Modern Intersections: A New Italian Renaissance

Fall 2024

The period or movement commonly referred to as the Renaissance remains one of the great iconic moments of global history: a time of remarkable innovation within artistic and intellectual culture, and a period still widely regarded as the crucible of modernity. Although lacking a political unity and being constantly colonized by European Empires, Italy was the original heartland of the Renaissance, and home to some of its most powerful and enduring figures, such as Leonardo and Michelangelo in art, Petrarch and Ariosto in literature, Machiavelli in political thought. This course provides an overview of Italian culture from the fourteenth to the sixteenth century by adopting a cross-cultural, intersectional, and inter-disciplinary approach. The course places otherness at the center of the picture rather than at its margins, with the main aim to look at pivotal events and phenomena (the rise of Humanism, courtly culture, the canonization of the language), not only from the point of view of its protagonists but also through the eyes of its non-male, non-white, non-Christian, and non-heterosexual witnesses. The course ultimately challenges traditional accounts of the Italian Renaissance by crossing also disciplinary boundaries, since it examines not only literary, artistic, and intellectual history, but also material culture, cartography, science, technology, and history of food and fashion. All readings and class discussion will be in English. Students seeking Italian credits will complete their assignments in the target language.

Cross-Cultural Analysis (CC)

Inquiry into the Past (IP)

Power, Inequity, and Justice (PIJ)

Counts Toward Africana Studies

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ITAL B221 What is Aesthetics? Theories on Art, Imagination, and Poetry

Fall 2024

This course investigates how global thinkers, poets, and artists reflected in their works on the roles and powers of art, poetry, and human creativity. The course approaches this theme through a cross-cultural and trans-historical approach, which encompasses the Italian Humanism, which argued for the first time for the importance of aesthetic knowledge, as well as the Age of Enlightenment, which founded 'aesthetics' as a specific scientific discipline. Readings from these writers will show how artistic products, human imagination, and poetry are not just light-hearted activities but powerful cognitive tools which can reveal aspects of human history. If the human being is deemed to be a combination of reason and feeling - soul and body - art and poetry, which border both the rational and irrational realms, appear the most appropriate scientific tool to reveal the human essence and its destiny. The discussion will focus on pivotal global writers and philosophers such as Giambattista Vico and Giacomo Leopardi, who pioneered aesthetic, historical, literary, and anthropological ideas which are still crucial in the current theoretical debate on arts and poetry. All readings and class discussion will be in English. Students will have an additional hour of class for Italian credit.

Critical Interpretation (CI)

Inquiry into the Past (IP)

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ITAL B233 Translating Italian: A Workshop

Not offered 2024-25

This course fosters students' translating skills on a variety of literary, scientific, journalist, and cinematic texts, which focus on issues of gender and sexuality, race, migration, and disability. In addition, it offers a review and a comparative study of Italian and English grammars, syntaxes, and styles. During the semester students will acquire technical skills and understand the difficulties and complexities of translation. They will question the role culture plays in translation, how authors and their translators negotiate the meaning, and the limits and consequences of inaccurate translations. In addition to refining their vocabulary, students will strengthen their reading and writing skills in Italian. This course is taught in Italian. Prerequisite: ITAL 102 or permission from the instructor. Prerequisite: ITAL 102 or permission of instructor.

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ITAL B238 Italy on Screen: A Journey through Italian Cinema

Not offered 2024-25

This course will introduce students to contemporary Italian history and culture by viewing and discussing those films produced in Italy that most reflect the diversity of its nation and society, from the Unification to today. Group work, in-class discussions, and academic readings will foster students' visual analysis, cross-cultural reflection, and critical thinking skills on topics such as organized crime, gender inequality, masculinity, racial and ethnic discrimination, migration, mental disability, and queer identities. Students will familiarize themselves with renowned directors such as Roberto Rossellini, Federico Fellini, and Marco Tullio Giordana, in addition to acquiring an interdisciplinary understanding of Italian cinema. Taught in English, with an additional hour in Italian for students seeking Italian credit. Cross-listed with Film Studies.

Critical Interpretation (CI)

Cross-Cultural Analysis (CC)

Counts Toward Film Studies

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ITAL B303 Boccaccio, the Plague, and Epidemic illness: Literature and Medicine

Spring 2025

What are the responses to human suffering during outbreaks of epidemic illness? How can literature be a valuable tool for plague prevention in time of pestilence? This class explores crucial questions on how narrative works in medical contexts, with a focus on the Decameron and the black plague of 1348. Giovanni Boccaccio is the first writer to unite the literary topos of narration during a life-threatening situation with an historical epidemic context in Medieval Italy. How does he tell his stories in time of illness and death? How do writers and other storytellers respond to dominant versions of health and medicine? Taught in Italian.

Counts Toward Health Studies

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ITAL B313 Primo Levi, the Writer

Not offered 2024-25

Today Primo Levi is one of the most widely read Italian writers of post-World War II in Italy and abroad. Even though still known primarily for his contributions to Holocaust testimony and theory, paradoxical as it may seem, the experience of Auschwitz and his need to tell proved to be the initial impulse that drove Levi to continue to write until his death as a critical engagement of the Western classical canon and civilization that in the end created Auschwitz. In addition to being a memoirist, he was a columnist, novelist, writer of short stories and fantasy tales, many of which touch on science fiction, a literary critic, poet, essayist, and he also tried his hand as translator (of Kafka's The Trial) and playwright. He has also been the subject of countless illuminating interviews, many of which have been translated into English. Levi is one of most prolific writers of our time, earning the right to be regarded simply as a well-respected writer, as he himself wished, with no other qualifications added. This course will be taught in Italian. Prerequisite: ITAL B102 or permission of instructor.

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ITAL B316 Mountaineering Heroes: Masculinity and Nation-building

Not offered 2024-25

Narration is an intrinsic component of the practice of mountaineering: ascents are conducted in isolation and need to be documented in order to be validated. In the 20th century, with the professionalization of this practice, mountaineering narratives became widespread across a broad range of genres and platforms - from the memoirs of illustrious alpinists to novels and short stories, to propaganda material and articles in popular magazines. In this course, we will focus on Italian mountaineering heroes, exploring how their construction and evolution was shaped by models of masculinity and (less frequently) of womanhood, colonialism and nation-building ideals, and by shifting understandings of the relationship between humans and the environment. We will discus the symbolical and political role of alpine ascents in the Italian unification and in the first world war. We will study Fascist alpinists and the legacy of Fascist, individualist and white supremacist rhetoric in today's mountaineering narratives. At the same time, however, we will encounter groups of alpinists and climbers who challenged this rhetoric, seeking to reframe ascents as play, rather than conquest, influenced by youth movements and the novel American alpinism.All readings and class discussion will be in English. Students will have to option of attending an additional hour of class taught in Italian or in Russian

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ITAL B318 Falling Statues: myth-making in literature, politics and art

Not offered 2024-25

We have become accustomed to the rituals of the dismissal of the heroes of the past: we tear down statues, we rename buildings and places. But how did we get there? How, why and by whom are heroes constructed? When old heroes are questioned, what substitutes them? How are the raise and fall of heroes tied to shifting models of masculinity, womanhood, power and the state? In this course, we will explore these questions focusing on Italy and Russia, two countries that in the 19th and 20th century went through several cycles of construction and deconstruction of their political heroes. In the first part of the course, we will investigate the codification of the "type" of the freedom-fighter in the representations of the protagonists of 19th-century European revolutionary movements, focusing on the links between the Italian Risorgimento and the anti-Tsarist movement in Russia, culminating in the Bolshevik revolution of 1917. From the pamphlets that consecrated the Italian Garibaldi as the "hero of the two worlds" to the autobiographies of the Russian terrorists and the transcripts of their trials, we will investigate myth-making as a constitutive part of political movements and reflect on the models of masculinity and womanhood at the foundation of the "typical" revolutionary hero. In the second part of the semester, we will focus on Stalinism and Fascism, systems that exploited their revolutionary roots to mobilize supporters in favor of oppressive institutions. Finally, we will discuss the many ways in which 19th - and 20th-century heroes have been confronted, neutralized, dismantled - and the many ways in which their models still haunt us. We will focus on literary texts and political speeches, but we will also analyze propaganda posters, movies, paintings, photographs, monuments and even street names. For your final project, you will have the option of building on our class discussions to explore myth-making in contemporary movements or forms of deconstruction of existing heroes.

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ITAL B320 Novel, History, and the Making of Italy: Alessandro Manzoni and the Romantic Movement

Not offered 2024-25

This course deals with 19th century Italian poetry and literary movement for Italian unification inspired by the realities of the new economic and political forces at work after 1815. As a manifestation of the nationalism sweeping over Europe during the nineteenth century, the Risorgimento aimed to unite Italy under one flag and one government. For many Italians, however, Risorgimento meant more than political unity. It described a movement for the renewal of Italian society and people beyond purely political aims. Among Italian patriots the common denominator was a desire for freedom from foreign control, liberalism, and constitutionalism. The course will discuss issues such as Enlightenment, Romanticism, Nationalism, and the complex relationship between history and literature in Alessandro's Manzoni classic novel The Betrothed. This course is taught in Italian. Prerequisite: one 200 level Italian course.

Writing Intensive

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ITAL B324 Diversity, Gender, and Queerness in Modern Italian Poetry

Not offered 2024-25

This course offers an overview of one of the great literary traditions of post-unification Italy: that of modern and contemporary poetry. Our readings will center mostly on some major protagonists of this genre, like the Nobel prize-winning Eugenio Montale, Umberto Saba, and Pier Paolo Pasolini, but we will also look at a series of much lesser-known works by female, queer and transgender poets, like Sandro Penna, Amelia Rosselli, and Giovanna Cristina Vivinetto, who negotiated their own voices within this tradition. While thinking, discussing and writing in Italian, we will examine poetic texts in the original and with a specific focus on the representation of religious and racial "otherness", the language of expression, and gender perspectives. Our authors and texts will be contextualized in their historical and social background, in order to have an in-depth interdisciplinary exploration of Italy's 20th-21st century cultural life and gain insight on Italian Modernity as a whole. Elements of metrics and rhetoric will be used and explained in order to analyze poetry in its own essence.

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ITAL B325 Literature and Film, Literature into Films and Back

Not offered 2024-25

This course is a critical analysis of Modern Italian society through cinematic production and literature, from the Risorgimento to the present. According to Alfred Hitchock's little stories, two goats were eating the reel of a movie taken from a famous novel. "I liked the book better," says one to the other. While at times we too chew on movies taken from books, our main objective will not be to compare books and films, but rather to explore the more complex relation between literature and cinema: how text is put into film, how cultural references operate with respect to issues of style, technique, and perspective. We will discuss how cinema conditions literary imagination, and how literature leaves its imprint on cinema. We will "read" films as "literary images" and "see" novels as "visual stories". Students will become acquainted with literary sources through careful readings; on viewing the corresponding film, students will consider how narrative and descriptive textual elements are transposed into cinematic audio/visual elements. An important concern of this course will be to analyze the particularity of each film/book in relation to a set of themes -gender, death, class, discrimination, history, migration- through close textual analysis. We shall use contemporary Film theory and critical methodology to access these themes.

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ITAL B326 Love, Magic, and Medicine: Poetical-Philosophical Bonds

Spring 2025

The course investigates how the concepts of love, magic, and medicine emerged and developed throughout early modernity and beyond. In exploring the fields of Philosophy, Medicine, and Magic, global thinkers, poets, and artists drew not only from classical sources, but were also deeply influenced by a wide range of models, such as fictional ancient sources, Islamic philosophy, and the Jewish Kabbalah. In this interesting syncretism, love was considered as an inspiration experienced by the entire universe, and magical practice was understood as a philosophy in action, which had the power to establish a bond of a loving nature between the different realms of reality. Magicians were therefore conceived as wise philosophers capable of joining this network of correspondences and controlling them (art)ificially. As a result, the figures of poets and artists interestingly merged into those of magicians of physicians, and poetry was conceived both as a magic able to arouse mental images stronger than real visions, and as a medicine able to exert a mental and physiological agency on the body. The course will approach these themes through a multi-disciplinary and trans-historical approach, which will include in the discussion a wide variety of figures, such as global early modern and modern philosophers, physicians, poets, artists, and composers.All readings and class discussion will be in English. Students will have an additional hour of class for Italian credit.

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ITAL B335 The Italian Margins: Places and Identities

Not offered 2024-25

Thompson Fullilove's scholarship will be the theoretical foundation of this survey of 20th century topics-from literary representations of mental health to the displacement of marginalized communities, from historical persecution in Europe to contemporary domestic violence in Italy. The main goal of the seminar will be to challenge the rhetoric of 'otherness', 'encounters', 'marginalization', 'anti-canon', and 'exoticism' that is typical of broader readings of Italy's modern traditions, adopting Thompson Fullilove's inter-sectional and trans-historical paradigms to re-imagine Italian Studies, to center the gender gap, and overcome the stigma of mental illness and madness. Rooted in the perspectives of trans-codification, trans-historical tradition, and cultural translation, this course attempts to address such questions both in theory and practice using Freudian literary criticism (The interpretation of Dreams, 1899; The Uncanny, 1919; Beyond the Pleasure Principle, 1920; The Ego and the Id, 1923; Civilization and its Discontents, 1930). We will start with a seminar, devoted to the analysis and discussion of primary sources and then follow with a scholarly (and creative) workshop. Tailored activities related to social activism (Praxis) will also fulfill the course requirements. Prerequisite: 200 level course or permission of instructor.

Writing Intensive

Power, Inequity, and Justice (PIJ)

Counts Toward Gender Sexuality Studies

Counts Toward Praxis Program

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ITAL B380 Modernity and Psychoanalysis: Crossing Boundaries in 20th-century Italy and Europe

Fall 2024

Designed as an in-depth interdisciplinary exploration of Italy's 20th-century cultural life, the course is organized around major artistic and intellectual trends, viewed in their historical and global perspective, and in connection with Avant-garde literary movements and philosophical ideas: i.e. surrealism, metaphysics, Dadaism, psychoanalysis, futurism, decadence, and modernism. While thinking and writing in Italian, we will examine films, novels, and poetry to gain insight on Modernity with attention also to gender and ethnic perspectives. Elements of metrics and rhetoric will be used to analyze poetry in its own essence. Prerequisite: One 200-Level course in Italian.

Counts Toward Praxis Program

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ITAL B398 Senior Seminar

This course is open only to seniors in Italian and in Romance Languages. Under the direction of the instructor, each student prepares a senior thesis on an author or a theme that the student has chosen. By the end of the fall semester, students must have completed an abstract and a critical annotated bibliography to be presented to the department. See Thesis description. Prerequisite: This course is open only to seniors in Italian Studies and Romance Languages with a GPA of 3.7.

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ITAL B399 Senior Conference

Under the direction of the instructor, each student prepares a senior thesis on an author or a theme that the student has chosen. In April there will be an oral defense with members and majors of the Italian Department. See Thesis description. Prerequisite: This course is open only to seniors in Italian Studies and Romance Languages.

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ITAL B403 Supervised Work

Offered with approval of the Department.

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FREN B213 Theory in Practice:Critical Discourses in the Humanities

Fall 2024

By bringing together the study of major theoretical currents of the 20th century and the practice of analyzing literary works in the light of theory, this course aims at providing students with skills to use literary theory in their own scholarship. The selection of theoretical readings reflects the history of theory (psychoanalysis, structuralism, narratology), as well as the currents most relevant to the contemporary academic field: Post-structuralism, Post-colonialism, Gender Studies, and Ecocriticism. They are paired with a diverse range of short stories (Poe, Kafka, Camus, Borges, Calvino, Morrison, Djebar, Ngozi Adichie) that we discuss along with our study of theoretical texts. The class will be conducted in English with an additional hour in French for students wishing to take it for French credit.

Critical Interpretation (CI)

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HIST B238 From Bordellos to Cybersex History of Sexuality in Modern Europe

Not offered 2024-25

This course is a detailed examination of the changing nature and definition of sexuality in Europe from the late nineteenth century to the present. Throughout the semester we critically examine how understandings of sexuality changed-from how it was discussed and how authorities tried to control it to how the practice of sexuality evolved. Focusing on both discourses and lived experiences, the class will explore sexuality in the context of the following themes; prostitution and sex trafficking, the rise of medicine with a particular attention to sexology, psychiatry and psychoanalysis; the birth of the homo/hetero/bisexual divide; the rise of the "New Woman"; abortion and contraception; the "sexual revolution" of the 60s; pornography and consumerism; LGBTQ activism; concluding with considering sexuality in the age of cyber as well as genetic technology. In examining these issues we will question the role and influence of different political systems and war on sexuality. By paying special attention to the rise of modern nation-states, forces of nationalism, and the impacts of imperialism we will interrogate the nature of regulation and experiences of sexuality in different locations in Europe from the late nineteenth century to the present.

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